Art & Design

Explore Art & Design across the Smithsonian through stories, events, and exhibitions. Use the filters to browse by format, then bookmark events and exhibitions to keep track of what you want to visit or attend.

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Art & Design
What inspires one of the world’s leading digital artists? Refik Anadol shares how Smithsonian Open Access became a creative playground for his imagination, fueling the data-driven artwork projected onto the Smithsonian Castle in July 2026.
Related to:
Art & Design
Culture & Community
Art & Design
Glimpse some of the few surviving examples of film made on paper instead of celluloid (kami firumu), a rare form of filmmaking from 1930s Japan.
In conjunction with Made in America: The Industrial Photography of Christopher Payne, join Cooper Hewitt for an illustrated talk on the critical role photography has played at MillerKnoll across the histories of both Herman Miller and Knoll.
The sculptor Harriet Goodhue Hosmer in a courtyard surrounded by her large number of assistants.
Until its discovery during a house appraisal, the debut bust by Harriet Goodhue Hosmer, a celebrated artist and feminist icon, had been mistaken for an ordinary garden ornament.
A torn-out piece of plain notebook paper with 9 horizontal arrows inside a box spaced out at various lengths. At the top of the page, it says "faculty seminar room- 210." To the left of the box, measurements in inches are listed next to the names of body parts. At the bottom right, personal information about the artist and the project is listed.
The papers of Kaili Chun (b. 1962) document the Hawai‘i-based sculptor and installation artist’s practice from 1986 to the present.
LEFT: José Esquivel wears glasses and a blue button-down shirt in his studio surrounded by binders and boxes of archival material. There are paintings, African sculptures, and other artworks on the wall behind him. RIGHT: White 3-hole punch papers with some tears. Cursive text handwritten in blue ink reads: July 8, 1972. Con Safo Meeting.
The papers of José Esquivel (1935–2022) document the San Antonio-based artist’s contributions to Chicano art and American art through both work he produced and communities he fostered.
A man in a button-up shirt stands with his arms crossed. Behind him are several paintings on large canvases, including a rendition of a glass soda bottle that is twice the man's height.
The recently donated papers of Thomas Eatherton (1934–2023) reveal in vivid detail the unique and long-overlooked contribution this famously private artist made to the postwar Los Angeles art world.
Fiberglass model of man and woman dancing.
Celebrate Hispanic Heritage Month with a look into the diversity and depth of SAAM’s Latino Art collection.