Art & Design

Explore Art & Design across the Smithsonian through stories, events, and exhibitions. Use the filters to browse by format, then bookmark events and exhibitions to keep track of what you want to visit or attend.

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Page from a sketchbook featuring a vertically oriented black-and-white preparatory drawing for Lewis deSoto’s art installation The Language of Paradise, with the title of the artwork and the date of the drawing (“4-9-90”) at top; a drawing indicating the placement of elements such as a “pool of water,” “basket,” “control unit,” “light,” and “text podium” in the middle; and some notes at the bottom that read, “BASKET- 1. SAND 2. (2) PROJECTORS—HANGING BOX FOR PROJ -> 3. DISSOLVE UNIT.”
Gerald and Bente Buck West Coast Collector Matthew Simms spotlights the Lewis deSoto Papers.
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Art & Design
Artist Justin Favela on a lift, working on a pinata-style art installation in the shape of maize.
Capilla de Maíz (Maize Chapel), a site-specific installation by Justin Favela, transforms the Rubenstein Grand Salon at SAAM’s Renwick Gallery into a fantastical world, with shimmering gold-fringed walls and piñata corncobs that highlight the . Shortened snippet. View full page for more details.
Location
Renwick Gallery
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Art & Design
Crop art with the title State Fairs: Growing American Craft and a cow's head in the center.
State Fairs: Growing American Craft is the first exhibition dedicated to artists’ contributions to the great U.S. tradition of state fairs with more than 240 artworks on view, dating from the mid-nineteenth century to the present. Each gallery . Shortened snippet. View full page for more details.
Location
Renwick Gallery
A painting lies on a black square on the floor, where a kneeling figure adjusts it. The lighting is purple, and parts of the painting glow.
Believe it or not, the same technology that’s in an average digital camera can be used to uncover secrets in centuries-old paintings.
A person sits on the floor and holds a small white device over a large, vivid painting. A cord connects the device to laptop.
The material that makes each color, called a pigment, can tell us a lot about a painting’s time period, place, and artist.
Light gray graphic features a densely drawn group of various cube-like buildings with suggestions of windows and square tops, some with faces drawn on
From WAY* to YAY**, artist Shantell Martin translated her intricate, dynamic drawing style into whimsical textiles in the hope of making someone’s day.
Jane Carpenter-Rock standing in the Kogod Courtyard.
Acting Director Jane Carpenter-Rock on the inspiring collections at SAAM
A collage with an illustration of a man with a red waist coat in the center.
Through precisely inked and animated scenes, Shahzia Sikander’s video artwork The Last Post (2010) critically considers the legacy of British colonialism in Asia, using her signature approach of infusing Indo-Persian miniature paintings with a . Shortened snippet. View full page for more details.
Location
Smithsonian American Art Museum